Spring 2021

Decolonizing Industrial Design

Guest Editor: Raja Schaar, IDSA

In this issue:

Industrial design operates within a capitalistic system. Industrial designers create things to be made, purchased, and used by consumers. In the end, this exchange most frequently benefits corporations and other entities who hold power in dictating how the system itself operates and who is allowed to participate in it. Decolonizing industrial design encompasses many things yet is centered on truly understanding who we design for and whose voices are privileged (or suppressed) in the process.

Colonized design perpetuates power imbalance. It ignores the needs of a diverse society and community in order to please a myopic group of stakeholders who don’t reflect the full diversity of our society. It has led to harm. From racist algorithms and poor education outcomes to exclusive and oppressive healthcare systems, design (broadly applied) has had a role in supporting systems of oppression, white supremacy, and patriarchy, which has led to (among other negative outcomes) environmental racism, sexual violence, and cultural erasure. Specific to industrial design and the products we use in our daily lives. Is it possible that these objects have been created with cultural biases built in, perhaps without the designer even knowing? Do the products we use create or perpetuate systems of oppression that empower certain user groups while diminishing the abilities of others?

Whatever role design has played until now, it also has an opportunity and tremendous responsibility to be intentional and thoughtful about the methods and strategies it employs to heal these traumas of the past. Conscientious efforts to decolonize industrial design must include acknowledging oppression and dismantling oppressive system, rebuilding our design education models, employing inclusive hiring practices, and amplifying marginalized voices across the lines of race, gender, and class. It’s also about honoring Indigenous perspectives and including the diverse and pluralistic socio-political perspectives.

In this issue of INNOVATION, we explore this complex topic and shed light on how dismantling certain aspects of our institutional constructs could foster a more inclusive and diverse industrial design profession. We asked educators and practitioners to share their perspectives on the matter and hope to create space for transformation within the industry that starts from within.

Guest contributors:

  • From Colonization to Liberation by Raja Schaar, IDSA
  • Colonized by Design by Ana Mengote Baluca, IDSA
  • Rethinking Design Thinking by Jasmine Burton
  • Appropriate Discomfort: Challenging Appropriation in Product Design by Fran Wang
  • The Problem With Othering in Design by Tracy Llewellyn, IDSA
  • “Recruit a Mix,” They Said by Jemma Frost
  • Fostering a Multilingual Design Studio Classroom by Amanda Huynh, IDSA
  • Maybe Grassroots Collectivism Is How We Expand Access to Design by Christina Harrington
  • Celebrating America’s Culture Diversity by Danielle Chen, IDSA
  • Lighting the Way to Transparent, Ethical, and Fair Trade by Dounia Tamri-Loeper
  • Inclusive Design 3.0: Broadening the Goals of Inclusivity in Design Education by Craig M. Vogel, FIDSA

Featured content:

  • Book Review Superhuman By Design (Donald Burlock, IDSA)
  • Academia 360° by Aziza Cyamani, IDSA and Verena Paepcke-Hjeltness, IDSA
  • Tribute: Budd Steinhilber, FIDSA by Tucker Viemeister, FIDSA
  • Tribute: Ed Zagorski, FIDSA by Jeffrey Breslow
  • Donate Your Archives by Vicki Matranga, H/IDSA, and Marshall Johnson, L/IDSA

In every issue:

  • Letters to the Editor
  • IDSA HQ by Chris Livaudais, IDSA
  • Chair’s Report by Jason Belaire, IDSA
  • Beautility by Tucker Viemeister, FIDSA
  • Design DNA by Scott Henderson, IDSA
  • A Final Thought by Judith Anderson, IDSA