Every year we see some of the most innovative and thought-provoking products and concepts come out of the IDEA competition crowned as gold winners. These projects always leave us craving more information about the approach, their inspiration and what made them stand out from the other entries each category.
After this year's IDEA jury made its final decision regarding which designs were most excellent, we stole a few minutes with Jury Chair Rhys Newman, IDSA from Nokia to ask him about how the process went, what trends he observed and the story that ought to be told about what makes Nike+ FuelBand the Best in Show.
You care about a design award because you, the designer, earn them when you do great work.
We care about a design award because we hand them out to celebrate your great work.
But what about a business person? Why should they care about a design award if they're not directly involved in the give-receive equation?
Matt Jones, Mike Kruzeniski, Sam Lucente, IDSA and Rhys Newman, IDSA made the case when we posed the question to them while the IDEA jury was assembled in Dearborn, MI in May 2012.
In addition to the International Design Excellence Awards (IDEA), there are dozens (hundreds?) of design award schemes operated by organizations around the world.
What distinguishes one from the others? Is there anything particularly unique about IDEA?
We like to think the answer to the second question is obvious. (Yes.)
But what do IDEA jurors think? And how would they answer the first--perhaps more important--question?
Near the end of their dual interview at The Henry Ford in Dearborn, MI this May, IDEA 2012 Jurors Mike Kuzeniski and Matt Jones paused to consider what it means to think of a design as successful. Notably, they contemplated which criteria are integral to legitimizing a design as something that achieves success.
This tangent took a tangent or two of its own as Mike and Matt also observed some ways design practice is changing, and some new opportunities for how a design awards scheme could define design excellence.
In 2011, the Windows Phone 7 earned a Best in Show distinction from the International Design Excellence Awards (IDEA) jury.
Making his first appearance on any IDEA jury in 2012, Mike Kruzeniski, who had been creative director for the Windows Phone Design Studio, talks about the impact the award had on his design team.
This excerpt comes from a May 2012 interview conducted at The Henry Ford in Dearborn, MI.
When the 2012 IDEA Jury convened at the Henry Ford to evaluate this year's entries, we posed a few questions to some jurors to gain some insight on what they saw and how they went about judging the most excellent design in the world.
In your categories, what trends did you observe? What challenges did you face?
When the 2012 IDEA Jury convened at the Henry Ford to evaluate this year's entries, we posed a few questions to some jurors to gain some insight on what they saw and how they went about judging the most excellent design in the world.
What trends did you observe in the categories you evaluated?
How do you distinguish good from great design?
Is there a secret to creating an outstanding entry?
When the 2012 IDEA Jury convened at the Henry Ford to evaluate this year's entries, we posed a few questions to some jurors to gain some insight on what they saw and how they went about judging the most excellent design in the world.
What trends did you observe in the categories you evaluated?
How do you personally define great design?
Is there a secret to creating an outstanding entry?